Music Releases 05-10-19
Here Comes the Cowboy [Indie Exclusive Limited Edition LP]
The Get Up Kids
Any Random Kindness [LP]
Sammy Hagar & The Circle
Space Between [LP]
Sombrou Dúvida [LP]
12 Little Spells [2LP]
The Cher Show
The Cher Show (Original Broadway Cast Recording)
Flesh & Blood [2LP]
Colours. Reflect. Time. Loss. [LP]
The Mystery Lights
Too Much Tension! [LP]
Full Moon, Heavy Light [LP]
Young Enough [Translucent Blue LP]
Launch Fly Land
In The Nightside Eclipse [Picture Disc LP]
Movie Releases 05-14-19
Cold Pursuit [Movie]
Michael Franti & Spearhead
Stay Human [DVD]
Fighting With My Family
Fighting With My Family
Music Releases 05-17-19
I Am Easy To Find is The National’s eighth studio album and the follow-up to 2017’s GRAMMY®-award winning release Sleep Well Beast. A companion short film with the same name will also be released with music by The National and inspired by the album. The film was directed by Academy Award-nominated director Mike Mills (20th Century Women, Beginners), and starring Academy Award Winner Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, which was recorded at Long Pond, Hudson Valley, NY with vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more. On September 3, 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on...something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process. The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically side staged in favor of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.
After spending years writing and recording music by himself in various bedrooms and basements, Andrew Carter hit his stride with the debut Minor Poet album, And How!. Made on a creative whim with no outside expectations, the eleven-song collection combined Carter’s love of carefully-crafted pop with a loose, fun, off-the-cuff recording aesthetic. The album was released in 2017 and developed a small but loving fan base, and Minor Poet has grown from a passion project into a cross-country touring band with write-ups in publications such as American Songwriter, Magnet, The Wild Honey Pie, Impose, and more.
Minor Poet’s second album, The Good News, is a six-song collection that expands the boundaries of what constitutes the band’s sound. In just twenty-two minutes, the songs take apart the standard formulas of guitar-based rock and infuse them with vibrance and energy. On opener “Tabula Rasa,” interlocking guitars and a Farfisa organ carry the song through until everything drops suddenly into a doo-wop section that wouldn’t be out of place on a 1950’s
New Vinyl: $28.98 Add to Cart
Jimmie Vaughans New Album Baby, Please Come Home available on CD, Digital and Limited Edition Aztec Gold Vinyl When it comes to the blues today, there are a handful of guiding lights to make sure the music stays true to its powerful source. The sound of pleasure and pain that first sparked musicians to create such a sound is a force that can never be underestimated. The mojo has to be there. Texas guitarist/singer Jimmie Vaughan has dedicated his life to making sure the blues not only stays alive, but remains full of life and an inspiration to all who listen. Hes held onto the spirit of the blues for more than 50 years, and he isnt about to stop now. Vaughans first studio album since 2011, Baby, Please Come Home is a rolling and righteous celebration of everything the blues can be.
New to Vancouver (Canada), alternative/singer-songwriter and multi-instrumentalist Jon Bryant sought connection. After joining, spending time and eventually leaving an undisclosed ‘cult’, Bryant’s fascination with cults began to percolate and became the framework for his upcoming full-length ‘Cult Classic’, that releases on May 17, 2019 via Nettwerk.
Eclectic Canadian artist Lucette sophomore album Produced by Sturgill Simpson, Deluxe Hotel Room takes the traditional roots sound showcased on her 2014 debut (produced by Dave Cobb) with which she captured the attention of critics and fans alike with her breakout track “Bobby Reid”, a sauntering murder ballad that was featured on the Netflix special Nanette and has since garnered over 4-million Spotify streams to date. Taking the first album sound for Deluxe Hotel she amplifies it by adding ethereal ambiance and emotive resonance to a foundation of R&B, pop and soul. Lucette’s cutting, honest lyrics are informed by life experiences in love, loss and battling inner demons as she comes into her own both personally and artistically.
Inspired by the warm, inviting sounds of ‘70s singer-songwriters like Jackson Browne and Graham Nash, Ryan Pollie wanted to make the most personal music of his career. He had released two albums as Los Angeles Police Department, and now he was ready to shed the protective barrier of his old band name — to make music, simply, as himself. Bolder and crisper than the albums he’s made as Los Angeles Police Department, his self-titled record emerges from a deeply collaborative place. He invited many of his closest friends over to his home to record the album, and a feeling of warm camaraderie shines through the music. “When somebody plays on a song, their character is in it,” he says. “I like to think all my friends are on this record. Their personality is in it. That was really important to me. I’m able to do what I do, mentally and emotionally, because of the people around me.”
Holly’s third full-length album PROTO isn’t about A.I., but much of it was created in collaboration with her own A.I.‘baby’, Spawn. For the record, she assembled a contemporary ensemble of vocalists, developers and an inhuman intelligence housed in a DIY souped-up gaming PC to create a record that encompasses live vocal processing and timeless folk singing, and places an emphasis on alien song craft and new forms of communion. PROTO makes reference to what Holly refers to as the protocol era, where rapidly surfacing ideological battles over the future of A.I protocols, centralised and decentralised internet protocols, and personal and political protocols compel us to ask ourselves who are we, what are we, what do we stand for, and what are we heading towards? You can hear traces of Spawn throughout the album, developed in partnership with long time collaborator Mathew Dryhurst and ensemble developer Jules LaPlace, throughout the album, and even eavesdrop on the live training ceremonies conducted in Berlin, in which hundreds of people were gathered to teach Spawn how to identify and reinterpret unfamiliar sounds in group call-and-response singing sessions; a contemporary update on the religious gathering Holly was raised amongst in her upbringing in East Tennessee. Since her arrival in 2012, Holly has successfully mined the edges of electronic and Avant Garde pop and emerged with a dynamic and disruptive canon of her own, all while studying for her soon- to-be-completed PhD at Stanford University, researching machine learning and music. Her LP Platform closed out 2015 by gracing year-end lists from *Pitchfork*, *The Guardian*, *NME*, and *The Wire*. In the aftermath, Radiohead hand-picked her to open up their European tour. Just as Platform forewarned of the manipulative personal and political impacts of prying social media platforms long before popular acceptance, PROTO is a euphoric and principled statement setting the shape of things to come.
As he approaches his 70th birthday, it's incredible that Nick Lowe hasn't lost a step in his unrivaled songwriting and rockin' abilities. His forthcoming four song EP, Love Starvation/Trombone, features the razor-sharp lyricism that he's made so famous and is complemented by the returning dulcet tones of his backing band and tour mates Los Straitjackets. Lowe originals like 'Love Starvation,' 'Trombone' and the tender 'Blue on Blue' are among his strongest compositions across his half-a-century-spanning career. Lowe breathes new life into a cover of Rick Nelson's 'Raincoat in the River,' which may be mistaken for an original given the unique cadence and arrangement Nick and Los Straitjackets put on the classic tune. There's no slowing down for Nick Lowe, and these four songs will leave you pining for even more from the Jesus of Cool.
The album comprises nine thematically related songs by Mehldau and features performances by him on piano, synthesizers, percussion, and Fender Rhodes, as well as vocals. Guest musicians include Ambrose Akinmusire, Sara Caswell, Kurt Elling, Joel Frahm, Mark Guiliana, Gabriel Kahane, and Becca Stevens, among others.
Movie Releases 05-21-19
A recently paroled ex-convict, Dell (Kevin Hart), strikes up an unusual and unlikely friendship with a quadriplegic billionaire, Phillip Lacasse (Bryan Cranston), in this "funny and warm-hearted buddy comedy" (Pete Hammond, Deadline). From worlds apart, Dell and Phillip form an unlikely bond, bridging their differences and gaining invaluable wisdom in the process, giving each man a renewed sense of passion for all of life's possibilities. Inspired by a true story, this heartfelt comedy also stars Nicole Kidman, Julianna Margulies, and Aja Naomi King.
New Blu-Ray: $39.98 Add to Cart
From DreamWorks Animation comes a surprising tale about growing up, finding the courage to face the unknown… and how nothing can ever train you to let go. What began as an unlikely friendship between an adolescent Viking and a fearsome Night Fury dragon has become an epic trilogy spanning their lives. When the sudden appearance of a female Light Fury coincides with the darkest threat their village has ever faced, Hiccup and Toothless must journey to a hidden world thought only to exist in myth. In this last chapter, Hiccup and Toothless will finally discover their true destinies, and dragon and rider will fight together to protect everything they've grown to treasure.
New York City architect Natalie (Rebel Wilson) works hard to get noticed at her job, but is more likely to be asked to deliver coffee and bagels than to design the city’s next skyscraper. And if things weren’t bad enough, Natalie, a lifelong cynic when it comes to love, has an encounter with a mugger that renders her unconscious, waking to discover that her life has suddenly become her worst nightmare — a romantic comedy — and she is the leading lady.
Music Releases 05-24-19
Justin Townes Earle
The Saint Of Lost Causes [LP]
Cate Le Bon
California Son [LP]
We Get By [LP]
Flamagra [Limited Edition Deluxe 2LP]
Cloudbusting EP [Indie Exclusive Limited Edition Picture Disc Vinyl]
Joan As Police Woman
My Songs [Deluxe]
The 4th Mini Album 'NCT #127 WE ARE SUPERHUMAN' [Import]
Elton John & Taron Egerton
Rocketman (Music From The Motion Picture)
Act Surprised [LP]
Where The Action Is [LP]
Amyl and The Sniffers
Amyl and The Sniffers [LP]
Billy Ray Cyrus
The SnakeDoctor Circus
I'll Show You Stronger [LP]
Live At Auckland Town Hall [LP]
Jesse Colin Young
New Songs For Old Problems EP [Vinyl]