2022 release. Liam Gallagher's third solo studio album C'mon You Know looks set to be one of the biggest album events of the year. Anticipation for the album was ignited with the lead single "Everything's Electric," which powered into the UK Top 20 as Liam's biggest solo hit so far. Now Liam unleashes the album's title track, "C'mon You Know" - featuring Vampire Weekend's Ezra Koenig on saxophone. While "C'mon You Know" pulsates with the traits that have made Liam such an iconic figure - a raucous rock 'n' roll anthem topped by his signature snarl - it's also a strong step forward in terms of both attitude and audio. Musically it's layered with unexpected sonic touches: surging Motown-tinged gospel backing vocals, shrieking saxophone from Ezra Koenig, and vintage Moog synths heightening the sonic maelstrom. Liam's lyrics also come from a fresh place: rather than being combative, his words brim with positivity and the joy of being reunited with friends, family and fans. As he openly admits, "I'm sick of being tough." The song was written solely by Liam and was produced by his regular creative collaborator, the Grammy Award winner Andrew Wyatt. As suggested by the title track and "Everything's Electric," the C'mon You Know album infuses Liam's classic, hands-in-the-air anthems with fresh experimental flourishes. Andrew Wyatt is the main producer throughout, while Ezra Koenig contributes to a selection of tracks. Other producers / writers include Greg Kurstin (Adele, Sir Paul McCartney), Dave Grohl, Ariel Rechtshaid (HAIM, Brandon Flowers), Adam Noble (Biffy Clyro), regular Liam collaborators Michael Tighe and Simon Aldred, and members of his live band, Dan McDougall and Mike Moore.

This 10LP box set collects all of ABBA's nine studio albums as well as the specially curated disc of tracks that were only released as singles.

The set, which includes the quartet's triumphant 2021 reunion set, Voyage, coincides with the opening of the unique concert experience ABBA Voyage at the ABBA Arena, Queen Elizabeth Olympic Park, in London. The 10LP edition is pressed on 180-gram, heavyweight vinyl and housed in a bespoke box.

The 10LP box set brings the ABBA story right up to date with the inclusion of Voyage, the 2021 album that added a spectacular new chapter to their unrivalled story. It topped the charts in 18 countries around the world, winning numerous platinum and gold certifications and becoming the group's highest-ranking album in the US in ABBA's history, at No.2. Voyage topped the charts in the UK and across most of Europe, as well as in Australia. Despite only being released in November 2021, it became the No.1 album of the year in Germany, Sweden, and elsewhere, and No.3 in the UK.

The set also includes ABBA Tracks, with such non-album singles as "Gimme! Gimme! Gimme! (A Man After Midnight)," "Fernando," and other favorite B-sides.

FEATURES:

• 10LP Box Set Featuring All 9 Studio Albums!
• Updated With ABBA's 2021 Reunion Album, Voyage!
• Includes A Bonus Tracks LP!
• Pressed On 180g Vinyl!

ABBA - "Vinyl Album Box Set"

Diamond Star Halos is the brand new album from Def Leppard, their first since their chart topping self-titled Def Leppard record in 2015. Written by the band over the past two years it features 15 tracks including the anthemic, stadium-ready singles “Kick” and “Fire It Up”, with guest vocals from Alison Krauss on “This Guitar” and “Lifeless”. The album title references T. Rex’s “Bang a Gong (Get It On)” with nods to T.Rex, David Bowie and Mott The Hoople across the album, which mixes the sound of their classic spirit with modern fire. The 1CD features a black & white cover with color logo, packaged in a jewel case.

Released in 1970, Watertown is a lost masterpiece. It was a turning point for Frank Sinatra: a concept album from the man who pioneered the concept album, written by Bob Gaudio, of Four Seasons fame, and Jake Holmes, who previously had written the Four Seasons’ own concept album.

Despite a top 5 AC chart showing for the single “I Would Be In Love (anyway),” the album was poorly received at the time, but has gone through a re-evaluation in recent years and is now considered one of Sinatra’s finest recordings.

The CD deluxe edition includes previously unreleased bonus material featuring session outtakes and “Lady Day,” a tribute to Billie Holiday, not included on the original album.

Originally released in 2003 with 30 tracks, UMe has updated the classic Sounds Of Summer compilation by The Beach Boys. The Expanded Edition 3 CD set features 80 key tracks from their storied career (all newly remastered) with 24 new stereo mixes, including two first-time stereo mixes. Includes updated photos and liner notes.

Not The Smile as in ha-ha-ha, more The Smile as in the guy who lies to you every day"... so speaks Thom Yorke on the inspiration behind the name of the new trio consisting of himself, his Radiohead bandmate Jonny Greenwood and drummer Tom Skinner of UK jazz outfit Sons of Kemet. The description is borne out by The Smile's acerbic first single "You Will Never Work In Television Again," a 2:48 blast of ragged, raw energy that moved The New York Times to rave: "Over a bruising 5/4 beat and flailing guitars climbing through three chords, Yorke snarl-sings his avenging fury at 'some gangster troll promising the moon' who'd devour 'all those beautiful young hopes and dreams,' and you can almost feel the spittle flying." Additional singles "The Smoke", "Skrting the Surface" and "Pana-Vision" - which epically closed the series finale of hit show Peaky Blinders - followed with equal critical acclaim; all are collected on The Smile's first album, A Light For Attracting Attention, produced by Nigel Godrich.

The brand-new album from The Dream Syndicate blends vintage Krautrock, Eno-like ambience, Neu-inspired rhythmic groove and a Californian sun baked sheen into the their classic psychedelic, melodic, hue. The Dream Syndicate have moved well past their early Velvet Underground influences and taken on British glam, German prog, and more Featuring singer/songwriter/guitarist Steve Wynn, drummer Dennis Duck, bassist Mark Walton, lead guitarist Jason Victor plus their newest member Chris Cacavas on keyboards, plus guest appearances from Stephen McCarthy (of The Long Ryders) and Marcus Tenney's expressive sax and trumpet work.

Super Deluxe contains 8 LPs on 180-gram heavy vinyl showcasing the newly remastered album from the original analog tapes along with 4 complete concerts on the Nevermind Tour from Amsterdam, Melbourne, Tokyo and Del Mar, California. Also included is a first-ever 7-inch for “Endless, Nameless” with B-sides “Even In His Youth” and “Aneurysm,” and a 40-page hardcover book with unreleased photos.

Carrie Underwood - Denim & Rhinestones

Carrie Underwood will be releasing a brand new studio country album on June 10th called Denim & Rhinestones. The album includes 12 tracks including her latest hit single- "Ghost Story". Carrie is a true multi-format, multi-media superstar, spanning achievements in music, television, film, and as a New York Times bestselling author and successful entrepreneur. She has sold more than 66 million records worldwide, recorded 28 #1 singles (14 of which she co-wrote), and has seven albums that are certified Platinum or Multi-Platinum by the RIAA, all while continuing to sell out arena tours across North America and the UK.

Liam Gallagher / Down By The River Thames - Originally streamed on December 5, 2020, the show became one of the most memorable performances of the lockdown era. Liam followed the precedent set by the Sex Pistols and The Clash, and decided to hit the River Thames, armed with a boatload of attitude, a phenomenal live band (including Bonehead) and an arsenal of classic songs. Acclaim included a four-star review from i, who declared the show to be, "A reminder of why the younger Gallagher is now the fans' favorite."

Daniel Johns releases his second solo album, FutureNever... FutureNever will continue to scratch Johns' itch for collaboration, with "a few of [his] friends" jumping on the record, names he'll slowly release in thelead up to it's release. Johns says the record will be an "eclectic mix of music" and, given the breadth of material his offered us in the past 25 years or so, it's anyone's guesswhat this will sound like.

The Deslondes are a five-piece band from New Orleans. The band splits up songwriting and lead vocal duties among its five members, continuing its democratic ethos and musical versatility. Multiple members have released solo recordings between their sophomore release, Hurry Home (2016) and their latest release Ways & Means but throughout the time between albums the Deslondes continued to build on their inventive take on New Orleans country and R&B. Ways & Means finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of Hurry Home. The sound will continue to draw comparisons to the country-funkiness of The Band, Link Wray and others but Ways & Means is the sound of a band that understands the history of American music, while embracing their own contemporary approach. 

The 4LP box set includes a 40-page booklet with introductions by Elton and Bernie, photos and full essay featuring interviews with many who helped make Madman Across The Water, plus a reproduction 1971 poster, as well as memorabilia and artwork from the Rocket Archive.

LP ONE: Remaster of Madman Across The Water

LP TWO & THREE: Demos, live and alternative versions

LP FOUR: BBC Sounds For Saturday concert, first broadcast in 1972

Robin Pecknold brings light to the bleakest of winters with Fleet Foxes' 'A Very Lonely Solstice,' a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY's St. Ann & the Holy Trinity Church. Now being released for the first time on vinyl, CD and digital formats, 'A Very Lonely Solstice' captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as "me by myself on the longest night of the year... honoring the loneliness of 2020 with a nylon string and some songs new and old." Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation. Much of 'A Very Lonely Solstice' showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes' catalog. Selections cover all four of the band's studio albums, including their 2008 self-titled debut album ("Tiger Mountain Peasant Song") to 2011's Helplessness Blues ("Blue Spotted Tail") and 2017's Crack-Up ("If You Need To, Keep Time On Me"), all the way to their latest release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks "Wading In Waist-High Water" and "Can I Believe You." Also featured: a cover of Nina Simone's "In The Morning" and a rearrangement of the traditional "Silver Dagger."

Sometimes, Forever, the immersive and compulsively replayable new Soccer Mommy full-length, cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album finds Sophie broadening the borders of her aesthetic without abandoning the unsparing lyricism and addictive melodies that made earlier songs so easy to obsess over. To support her vision Sophie enlisted producer Daniel Lopatin, whose recent credits include the Uncut Gems movie score and The Weeknd’s Dawn FM.

MUNA is magic. What other band could have stamped the forsaken year of 2021 with spangles and pom-poms, could have made you sing (and maybe even believe) that “Life’s so fun, life’s so fun,” during what may well have been the most uneasy stretch of your life? “SilkChiffon,” MUNA’s instant-classic cult smash, featuring the band’s new label head Phoebe Bridgers, hit the gray skies of the pandemic’s year-and-a-half mark like a double rainbow. Since MUNA — lead singer/songwriter Katie Gavin, guitarist/producer Naomi McPherson, guitarist Josette Maskin — began making music together in college, at USC, they’d always embraced pain as a bedrock of longing, a part of growing up, and an inherent factor of marginalized experience: the band’s members belong to queer and minority communities, and play for these fellow-travelers above all. But sometimes, for MUNA, after nearly a decade of friendship and a long stretch of pandemic-induced self-reckoning, the most radical note possible is that of bliss.

MUNA, the band’s self-titled third album, is a landmark — the forceful, deliberate, dimensional output of a band who has nothing to prove to anyone except themselves.The synth on “What I Want” scintillates like a Robyn dance-floor anthem; “Anything But Me,” galloping in 12/8, gives off Shania Twain in eighties neon; “Kind of Girl,” wit hits soaring, plaintive The Chicks chorus, begs to be sung at max volume with your best friends. It’s marked by a newfound creative assurance and technical ability, both in terms of McPherson and Maskin’s arrangements and production as well as Gavin’s songwriting, which is as propulsive as ever, but here opens up into new moments of perspective and grace. Here, more than ever, MUNA musters their unique powers to break through the existential muck and transport you, suddenly, into a room where everything is possible — a place where the disco ball’s never stopped throwing sparkles on the walls, where you can sweat and cry and lie down on the floor and make out with whoever, where vulnerability in the presence of those who love you can make you feel momentarily bulletproof, and self-consciousness only sharpens the swell of joy.

GRAMMY® Award- nominated artist/producer/songwriter Maggie Rogers new album, Surrender, will be released via Capitol Records on July 29. Co-produced Kid Harpoon (Florence + the Machine, Harry Styles) and Rogers, Surrender is the follow-up to Heard It in a Past Life,Rogers’ massively beloved 2019 debut album, which entered Billboard’s Top Album Sales chart at No. 1 and debuted at No. 2 on the Billboard 200. Praised by the likes of NPR, The New York Times, Rolling Stone, Pitchfork, TIME Magazine, and many others, Heard It in a Past Life landed Rogers a nomination for Best New Artist and went on to amass over one billion combined global streams.

The first completely original Primus music in over a decade comes in the form of a 3 song 12". It kicks off with 12 minute epic "Conspiranoia" exploring the absurdity and darkness bubbling up in the contemporary world - perpetuated, as frontman Les Claypool says, "by anyone with a slight hint of web design aptitude." Claypool goes on to say: "Because all 3 songs were bred in an odd time of divide, confusion, angst, frustration, and social senility, the title 'Conspiranoid' seemed appropriate."

As you can probably glean from the title, Bret McKenzie-whom you know from such modern musical treasures as comedy duo Flight of the Conchords, the Muppets movie reboots and other ace kid-film soundtracks, Lord of the Rings fan blogs, guest songs for The Simpsons, cycling around the streets in his native New Zealand, and more- has a new solo record coming out filled with songs that ARE NOT COMEDY SONGS! There. Doesn't that feel better? Sometimes it helps just to get it out in the open. So, yeah, Bret's a ridiculously funny dude, and you might even call him one of the best comedy songwriters in the biz. (In Bret's own words, there are fewer than a dozen people in the world writing comedy songs today, but who's counting?) He's had smash hits, he's won major awards, he's the better-dressed part of his duo... he's got a good thing going! So, what gives with this whole "songs without jokes" solo stuff, man? The Conchords landed McKenzie and Jemaine Clement a hit HBO TV show, a BBC Radio series, chart-topping records, world tours, a Best Comedy Album Grammy, and a 2018 "reunion" special. McKenzie transitioned to Hollywood, writing songs for 2011's The Muppets (winning a Best Original Song Oscar for "Man or Muppet"), 2014's Muppets Most Wanted, and films in the Pirates! And Dora canons. While he enjoyed and excelled at the work, he wondered where his songs might go if set free of all that plot-bound specificity. And so, while in Los Angeles a few years back, recording movie music with a crack assemblage of legendary session musicians, McKenzie started playing around with a tune or two he had written simply as songs-songs without any external direction, songs without plot-pushing concerns, songs without jokes. The results reveal McKenzie's talents on multiple instruments (he's a veteran of several non-comedy bands in New Zealand back in the day, most notably the reggae-based fusion group The Black Seeds), and his affinity for wry, literate artists like Harry Nilsson, Steely Dan, Randy Newman and Dire Straits. Written mostly during the quieter moments of 2019, with his life split between work in Los Angeles and his family in Wellington, the songs of Songs focus on themes of escape, the perpetual search for peace, and navigating a life being pulled in multiple directions at once. There are also simple meditations on driving through a city, and the weather. McKenzie was inspired by the path icons like Newman and Nilsson had paved, where a silly or playful number could be sandwiched directly between a song about heartbreak or an earnest redemption and a scathing satire or character commentary. He threw a bit of everything into the mix, recording ideas on his phone at home in New Zealand after the kids had gone to sleep. Back in LA, he fine-tuned the songs with his longtime producer and collaborator, Mickey Petralia, and longtime film collaborator Chris Caswell created charts for that same ensemble of session players with whom they'd recorded so many pieces for film. The majority of songs were then recorded at United Studio in Los Angeles in just a few takes. While the album may be free of traditional punch lines, it doesn't lack a sense of humor. It showcases a new stage of McKenzie's career, to be sure, but one that isn't so far removed from his past work and true artistic self. Like Jim Henson before him, who made a career of blending the silly with the sincere and the playful with the profound, McKenzie also aims to connect rainbows to the ridiculous.

Undisputed masters of murderous riffs, pugnacious grooves and ferocious hooks since 1991, Machine Head are long established as one of the most influential and incendiary bands in the metal world. From genre-expanding triumphs like 1994's debut, Burn My Eyes, 1999's The Burning Red to the planet-conquering might of 2007's The Blackening, to the new life injected in 2014's Bloodstone and Diamonds, Machine Head have carved a singular path across the globe for over three decades now with no end in sight. Whether it be marathon 3 hour live performances, or millions of albums sold worldwide, and accolades both big and small, there aren't too many "distractions" clouding up the vision of Guitarist/Vocalist/Founder Robb Flynn these days. In 2022, Machine Head are back with their most crushing and complete album yet. OF KINGDOM AND CROWN is an hour-long conceptual monolith, rich in colour and dynamics but hell-bent on destruction. Set in a futuristic wasteland where the sky is always crimson red, OF KINGDOM AND CROWN tells the tale of two characters, both faced with incalculable trauma, whose stories become bloodily entwined as this deep, dark record progresses. "The album and concept was loosely inspired by the Japanese anime series Attack On Titan," says Robb, "in the sense that in that series, there is no "good" or "bad" guy... both sides believe they're doing the right thing, but both are committing atrocities and evil." Album opener, "SLAUGHTER THE MARTYR," sets the tone for not only the record, but the aural and psychological exploration the listener is about to embark on. From the first dissonant note, it's certain this is not only fresh canvas spelled out with lead vocalist Robb Flynn and bassist Jared MacEachern's soaring vocal harmonies, but it's intent is as furious as anything the band has ever come up with. This track also begins the journey of our protagonists. Further exploration of the damaged psyche blasts forth on "CHOKE ON THE ASHES OF YOUR HATE," a searing back and forth dose of Thrash Metal that could only come from the roots of the Bay Area. Unrelenting in it's attack, the breakneck pace only solidifies this as one of many standouts on OF KINGDOM AND CROWN. From the adrenaline rush of exorcising their inner demons to the innate feeling of solitude and regret comes "UNHALLOWED." A dramatic introspective of questioning one's motives and the fallout when the debts our expended emotions come to collect. Hopeless, lost, and isolated, protagonist #2 begins the transformation from victim to victimizer over the melodic chaos courtesy of guitarist Vogg Kieltyka. Radicalized, paranoid, and armed with a dead-end stare, the mental onslaught ignites with the song, "KILL THY ENEMIES." The whiplash inducing thoughts pair up nicely with some of the thickest grooves on the album. The album ends with arguably the finest song Machine Head have ever written: "ARROWS IN WORDS FROM THE SKY", the grandiose but emotionally visceral climax to the finest and most ferocious album of the band's 30 year career. A perennially vital force in heavy music, Machine Head have continued their exhilarating evolution, while never losing the furious spirit of their old school, underground roots.