Overview

With this Ion Air LP turntable you can stream your records wirelessly to any bluetooth speaker! Unleash yourself from the restriction of cumbersome hookup cables. Put Air LP where it's convenient for you and put your Bluetooth speaker where it sounds best-the sound is transmitted wirelessly and your days of fumbling with connection cables are finally over. Air LP is a full-featured turntable that gets the best from your records and gives you endless opportunities for enjoyment. It plays 33 1/3, 45 and 78 RPM records. A quiet belt-drive system combines with Auto-Stop for convenient operation. A 1/8-inch (3.5mm) aux input lets you connect other equipment and also wirelessly transmit that sound to the Bluetooth speaker. Air LP comes with our EZ Vinyl/Tape Converter software that converts records to digital files when you connect Air LP to any computer with the included USB cable. A hinged protective dustcover completes the package.

Features

• Belt-drive turntable features convenient Auto-Stop
• Plays and converts 33 1/3, 45 and 78 RPM records
• RCA outputs for connection to stereo system
• 1/8-inch (3.5mm) aux input lets you connect other equipment
• Equipment connected to aux input is also streamed wirelessly
• EZ Vinyl/Tape Converter software converts analog material to digital files via USB
• 45 RPM adapter, felt slipmat, aux and RCA cables included
• Headphone output for private listening

Package Includes:

• Air LP
• Power Adapter
• Dust Cover
• USB Cable
• RCA cable
• 1/8" (3.5 mm) Aux Cable
• 45 RPM Adapter
• Felt Slipmat
• Software CD
• Quickstart Guide
• Safety & Warranty Manual

System Requirements:

• Microsoft Windows XP, Windows Vista, Windows 7, Windows 8 with Pentium 4 CPU or higher
• Apple OS X 10.4 - 10.10 with PowerPC G4 or Intel CPU or higher
• Hardware 1 GB RAM
• 1 GHz processor or higher
• 300 MB available hard drive space
• Software can be downloaded from ionaudio.com/ezvc

Specs

• Dimensions: (Length x Width x Depth) 16" x 14" x 4.5" (406 mm x 356 mm x 114 mm)
• Weight: 6.7 lbs. (3 kg)
• Power: 12V DC, 0.2A, center pin-positive, tip-negative
• Air LP Turntable/Bluetooth Function: Bluetooth Transmitter
• Bluetooth Version: BT 3.0
• Bluetooth Range: Up to 30' / 9.1 m approximately
• Cartridge Type: Ceramic
• Cartridge & Stylus: CZ-800-10 (sapphire-tipped) is included.
• To play 78 RPM records the iCT06rs stylus (sold separately) is required

Summary

Rock and Roll Hall of Famer Linda Ronstadt takes readers on a journey to the place her soul calls home, the Sonoran Desert, in this candid new memoir

In Feels Like Home, Grammy award-winning singer Linda Ronstadt effortlessly evokes the magical panorama of the high desert, a landscape etched by sunlight and carved by wind, offering a personal tour built around meals and memories of the place where she came of age. Growing up the granddaughter of Mexican immigrants and a descendant of Spanish settlers near northern Sonora, Ronstadt's intimate new memoir celebrates the marvelous flavors and indomitable people on both sides of what was once a porous border whose denizens were happy to exchange recipes and gather around campfires to sing the ballads that shaped Ronstadt's musical heritage.

Following her bestselling musical memoir, Simple Dreams, this book seamlessly braids together Ronstadt's recollections of people and their passions in a region little understood in the rest of the United States. This road trip through the desert, written in collaboration with former New York Times writer Lawrence Downes and illustrated throughout with beautiful photographs by Bill Steen, features recipes for traditional Sonoran dishes and a bevy of revelations for Ronstadt's admirers. If this book were a radio signal, you might first pick it up on an Arizona highway, well south of Phoenix, coming into the glow of Ronstadt's hometown of Tucson. It would be playing something old and Mexican, from a time when the border was a place not of peril but of possibility.

About the Author

Linda Ronstadt, one of the most versatile singers of the past fifty years, is the author of Simple Dreams: A Musical Memoir (2013). Her four-decade recording career encompassed country, rock 'n' roll, the Great American Songbook, jazz, opera, Broadway standards, Mexican and Tropical music and Americana. Her worldwide album sales totaled more than 100 million records, with more than 30 gold and platinum records. She has won 11 Grammy Awards and is a recipient of the National Medal of Arts and a member of the Rock and Roll Hall of Fame. She serves on the advisory board of Los Cenzontles Cultural Arts Academy, which has taught Mexican folk music, dance and art to children in the San Francisco Bay Area for more than three decades. She lives in San Francisco.

Lawrence Downes is a writer and editor in New York. For more than thirty years, he worked in newspapers, including the Chicago Sun-Times, Newsday, and the New York Times where he was an editor and member of the editorial board, specializing in issues about immigration, New York City and state politics and government, disability rights, veterans affairs, and the environment.

Bill Steen is a professional photographer, specializing in the beauty and bounty of the Sonoran borderlands for more than three decades. Along with his wife, Athena Swentzell Steen, he is a founder of the Canelo Project, near Elgin, Arizona, a family-based community and an applied educational center that gives people hands-on experience with a lifestyle that aims to be sustainable. The Steens are the authors, with David Bainbridge, of The Straw Bale House, among other books.

Product Details

• With images throughout
• Hardcover: 248 pages
• Publisher: Heyday
• Biography & Autobiography / Music

The Blues Don’t Lie is the amazing new album from Buddy Guy, and is the legend’s 34^th studio album, and the follow up to 2018’s Grammy winning album The Blues Is Alive and Well. Produced by songwriter/drummer Tom Hambridge, The Blues Don’t Lie features guests including Mavis Staples, Elvis Costello, James Taylor, Jason Isbell, and more.

The album will be released exactly 65 years to the day that Buddy Guy arrive in Chicago on a train from Baton Rouge, Louisiana in September of 1957, with just the clothes on his back an his guitar. His life would never be the same, and he was born again in the blues. The Blues Don’t Lie tells the story of his lifelong journey.

Reflecting on this body of work, Buddy says “I promised them all: B.B., Muddy, Sonny Boy as long as I’m alive I’m going to keep the blues alive.” He has indeed proven that again, and proclaims, “I can’t wait for world to hear my new album cause The Blues Don’t Lie.”

50th-anniversary reissue of Rory Gallagher's 1971 sophomore solo album, Deuce. The Deluxe 4 CD box set includes a new mix of the original album, 28 previously unreleased alternate takes, a 6-song 1972 BBC Radio In Concert performance, and 7 session tracks from Germany's Radio Bremen. The package contains a 64-page hardback book with a foreword by Johnny Marr from The Smiths, unseen images, essays, and memorabilia from the album recording.

Released in November 1971, just six months after his eponymous solo debut, Rory Gallagher’s second album, Deuce, was the summation of all that he’d promised in the wake of Taste’s collapse. Rory wanted to capture the feeling of a live performance, so he would look to record immediately after live concerts while keeping production to a minimum.

He chose Tangerine Studios, a small reggae studio, in Dalston in East London, due it’s history with legendary producer Joe Meek. With Gerry McAvoy on bass guitar and Wilgar Campbell on drums, the album was engineered by Robin Sylvester and produced by Rory. Deuce features many Rory highlights, from the blistering Crest Of A Wave to the Celtic-infused I’m Not Awake Yet.


“There was one day when I was playing along with the Deuce album which
was a complete turning point for me as a guitar player”
– Johnny Marr

Deluxe two CD edition of Brandi Carlile's 2021 album, In These Silent Days. Includes a bonus 10 track CD that contains acoustic versions of the album's tracks plus a cover of "Space Oddity". In These Silent Days was the follow-up to her 2018 album By The Way, I Forgive You, and she recorded it at Nashville's RCA Studio A with producers Dave Cobb and Shooter Jennings. Tim Hanseroth (vocals, bass), Phil Hanseroth (vocals, guitar), Cobb (guitar, percussion), Jennings (piano, organ, synth), Chris Powell (drums, percussion), and Josh Neumann (strings) all appear on the album, and Jess Wolfe and Holly Laessig of Lucius make a guest appearance, adding backing vocals to "You And Me On The Rock."

When Daryl Hall & John Oates released their sixteenth studio album ‘Do It For Love’ in 2003, it was to critical and commercial acclaim, with singles including ‘Do It For Love’, ‘Man on a Mission’ and ‘Getaway Car’.
 
Following a six-year release hiatus following 1997’s ‘Marigold Sky’, Daryl Hall & John Oates proved once again why they remain the most successful duo in music history, creating a record packed with quality songs and the unmistakable character and sound of Daryl Hall & John Oates.
 
In addition to the singles, the album featured long-time collaborator Todd Rundgren who appeared on their cover of The New Radicals’ song ‘Someday We’ll Know’ (it’s a creative partnership that still continues - Todd and Daryl toured earlier this year).
 
On the album’s release, Daryl Hall said "I think we followed our own instinct rather than listen to other people's suggestions. I think it's really a culmination of all the different stylistic directions we've gone in and pulling it all together and focusing it in one place. It's a very organic record, it's emotional, it's got great songs and melodies -- all the things that people think of when they think of Daryl Hall and John Oates are very much in evidence here."
 
He wasn’t wrong, as ‘Do It For Love’ drew comparisons with the very best of the duo’s output including 1973's ‘Abandoned Luncheonette’ album and 1975's eponymous debut for RCA.
 
Reflecting on the album in 2022, John Oates said "It was interesting for me to record for the first time in London. Working with a new team of producers during a time when pop music was in transition from the mega success of the ‘Boy Band’ craze while at the same time trying to preserve the integrity and sound that Daryl and I had created over the years."
Daryl Hall agreed: "A good record" he said.
 
AllMusic wrote:
 
“Nearly all of these 14 songs hold their own against many of the album tracks and lesser-known hits from their golden period while also having a unified sense of sound and purpose, adding up to a thoroughly satisfying record, the kind that will please the faithful while winning back those listeners who haven't really listened to the duo since the '80s. A really fine, surprising comeback effort.”
 
The album is being made available for the first time on double LP and the CD is reissued on gatefold digipak.
 
Track List:
 
DOUBLE LP:
 
Side A:

1. Man on a Mission
2. Do It For Love
3. Someday We’ll Know (feat. Todd Rundgren)

 
Side B:

1. Forever For You
2. Life’s Too Short
3. Getaway Car
4. Make You Stay

 
Side C:

1. Miss DJ
2. (She) Got Me Bad
3. Breath of Your Life
4. Intuition

 
Side D:

1. Heartbreak Time
2. Something About You
3. Love In A Dangerous Time

 

DOGGEREL. Out September 30th. At the beginning of the year, each Pixie convened at Guilford Sound in Vermont. Doggerel is the culmination of that time.

The iconic Pixies forged an influential path for alt-rock during their first era, while their post 2004 reunion has seen them alchemise more sophisticated dark arts - a return which has them add another three UK Top 10 albums to the three they achieved on their first run. Now as fired up as ever before, Pixies will release their eighth studio album 'Doggerel' via BMG, including lead single 'There's a Moon On'. 'Doggerel' is a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.

Original album, remastered, plus 18 previously unreleased tracks including alternate versions and bonus tracks

Plus new liner notes

It could only be called alchemy, the transformative magic that happens during the Yeah Yeah Yeahs’ most tuned-in moments in the studio, when their unique chemistry sparks opens a portal, and out comes a song like “Maps” or “Zero” or the latest addition to their canon, “Spitting off the Edge of the World" (feat. Perfume Genius) — an epic shot-to-the-heart of pure YYYs beauty and power.

A thunderstorm of a return is what the legendary trio has in store for us on Cool It Down, their fifth studio album and their first since 2013’s Mosquito. The eight-track collection, bound to be a landmark in their catalog, is an expert distillation of their best gifts that impels you to move, and cry, and listen closely.

2022 release. Songwriter is the thirteenth studio album by singer/songwriter and record producer/arranger Richard Marx. Songwriter features songs in four different genres of music: pop, rock, country, and ballads.

Crazy Times is the brand-new studio album from Sammy Hagar & The Circle – Sammy Hagar (vocals), Michael Anthony (bass), Jason Bonham (drums/percussion), Vic Johnson (guitars). Featuring the title track, "Father Time," "Funky Feng Shui," and more.

The End, So Far is the seventh studio album by Slipknot. Release date is September 2022 by Roadrunner Records.

First new music from the band in nearly 30 years, includes 11 brand new songs written by the band.

Some of the best music made in the last 60 years has been delivered by musical families. Think about it… The Everly Brothers, The Beach Boys, Bee Gees, The Jackson 5, The Staple Singers, Pointer Sisters, Kings Of Leon, Oasis… and The Cowsills!

Starting in 1965, The Cowsills was composed of six siblings, performing their instruments and singing those glorious harmonies as only families can. Originally starting as a regional act (from Newport, Rhode Island), the group was “founded” by Joda Records owners Danny Sims and reggae/pop singer Johnny Nash (“I Can See Clearly Now”) in the mid-’60s for whom they recorded a handful of singles before turning towards more national recognition when they were signed to MGM Records in 1967. At this point, the group’s mother Barbara and young sister Susan joined the act and they were awarded a Gold record for over one million copies sold of their very first single for MGM, the sublime, “The Rain, The Park & Other Things.” This began a series of chart records that dominated the Top 40 for the next three years. Among the classic Cowsills recordings are “We Can Fly,” “Indian Lake,” “Hair” (from the rock musical Hair), and “Love American Style” (the theme song from the popular ABC-TV show of the same name). The group also recorded and charted with five successful albums during this time period. The band and their story were even the inspiration for the popular 1970s sitcom The Partridge Family. The group was also a prosperous touring attraction up through 1972, spreading their harmonious hope and love to an adoring fan base. They even had their own comic book published in 1968.

As all families do, the group went through a series of changes, disbanding in 1972. But music never left the soul of this tuneful and melodic kin. Over the years, the group, as individuals, continued to make music and even reunited in 1978 and 1993 to make historic records that are woefully out of print.

Now, nearly 30 years after their last recordings as a group, The Cowsills are returning with new music for the new world! Omnivore Recordings is proud to announce the release of Rhythm Of The World. Eleven brand new songs written by the band. The ambassadors of goodwill and love will be on the road through 2023 thrilling fans with their classic hits and soon to be new favorites!

 

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CD / DIGITAL TRACK LIST:

YA GOTTA GET UP! LEND A HAND HAWKS ON THE LINE EVERY LITTLE SECRET NUCLEAR WINTER RHYTHM OF THE WORLD LARGO NIGHTS GOODBYE’S NOT FOREVER THE LONG RUN TRY TO BELIEVE IT TOO KATRINA

40th Anniversary Edition of Fresh Ruit for Rotting Vegetables. Remixed by Chris Lord-Alge. Includes 28 page booklet with rare archival photos and interviews.

All My Friends: Celebrating the Songs & Voice of Gregg Allman captures a once-in-a-lifetime performance, honoring one of the most acclaimed and beloved icons in rock and roll history. Performances by Warren Haynes, Derek Trucks, Susan Tedeschi, Keb Mo, Brantley Gilbert, Dr. John, Pat Monahan, John Hiatt, Jaimoe, Taj Mahal, Gregg Allman, Widespread Panic, Trace Adkins, Vince Gill, Martina McBride, Eric Church, Jackson Browne, Zac Brown, The Allman Brothers Band & more.

THE KINKS, Muswell Hillbillies & Everybody’s In Show-Biz – Everybody’s a Star deluxe 6LP, 4CD box set is being released through BMG on September 9, 2022 in celebration of the 50th Anniversary. The box set combines two of THE KINKS’ classic 1970’s albums - Muswell Hillbillies, the album the band toured in America; and helped define them as a rock band in the U.S.. And Everybody’s In Show-Biz – Everybody’s a Star; the album that was written in reflection of the tour. Packaged inside a newly designed two-part box, this deluxe set includes remastered audio from the original Muswell Hillbillies & Everybody’s In Show-Biz, pressed across 5 color vinyl and 4 CD’s. Also includes a bonus heavyweight black vinyl of 11 new Ray Davies remixes and a Blu-Ray video of “Ray Davies 1971 Home Movie”. Also included in the release is a “London Roots Map” of all the Kinks landmarks, x6 glossy photos, a Kinks Pin-Badge and 52pp hardback book including rare and unseen band photos and quotes.

2022 marks 20 years since the passing of the legendary Joe Strummer. While best known as the frontman for The Clash, between 1999-2002 Strummer produced some of his most exciting work alongside The Mescaleros. Joe Strummer 002: The Mescaleros Years is the first comprehensive collection highlighting this intense period of creativity and brings together the albums Rock Art and the X-Ray Style (1999), Global A Go-Go (2001), the posthumous Streetcore (2003), and Vibes Compass, a brand-new compilation of 15 B-sides and rarities, including never before heard tracks like 'Ocean of Dreams' (featuring Steve Jones of the Sex Pistols on guitar) and early demos of some of the Mescaleros best-loved tracks ('The Road To Rock 'N' Roll', 'X-Ray Style' and more), through to some of the original recordings from Joe's last ever sessions ('Coma Girl', 'Fantastic' and 'Get Down Moses'), all in one complete boxset. All albums are remastered by Grammy Award winner Paul Hicks (The Beatles / The Rolling Stones / John Lennon / David Bowie) and are packaged in a richly curated boxset, featuring extensive new liner notes and interviews with Joe's friends, collaborators and The Mescaleros band members, plus never-before-seen handwritten notes, lyrics, and drawings by Joe taken from the Joe Strummer Archive. Both the 4CD and 7LP boxes include four reproduction lyric sheets and chord charts, and the LP box includes an exclusive 12”x12” art print. Joe Strummer 002 serves as a loving tribute to Strummer’s final musical output, released in celebration of what would have been his 70th birthday year. 

The London Suede return with their ninth studio album, Autofiction.

As The London Suede began work on the songs that would become Autofiction, they decided to go back to basics. In a move that recalled their most formative days, Brett Anderson, Mat Osman, Simon Gilbert, Richard Oakes and Neil Codling schlepped to a rehearsal studio in deserted Kings Cross to collect a key, hump their own gear, set up and start playing.

Speaking about Autofiction, Brett Anderson said: "Autofiction is our punk record. No whistles and bells. Just the five of us in a room with all the glitches and fuck-ups revealed; the band themselves exposed in all their primal mess."

First single "She Still Leads Me On" is the track that reconfigured what the album could be. A beautiful song written from Brett to his late mother. As its title suggests, Autofiction is one of Anderson's most personal records yet. Reflecting on the process of writing acclaimed memoirs Coal Black Mornings and Afternoons with the Blinds Drawn helped Brett get a newfound perspective on himself as a performer and singer in the public eye, much of which has bled into the lyricism of Autofiction.

CD:  This album marks the debut release of the highly-anticipated recording of Creedence Clearwater Revival live at London’s prestigious Royal Albert Hall. More than 50 years after the legendary 1970 show, the original multitrack tapes have been meticulously restored and mixed by GRAMMY®-winning producer Giles Martin and engineer Sam Okell. The hits-packed setlist includes such classics as “Fortunate Son,” “Proud Mary,” “Bad Moon Rising,” “Born on the Bayou” and more. 

Iron Fist is repositioned as a vital snapshot of Motörhead at a crucial period when they found themselves caught in the tornado ignited by success and, in true Motörhead style, careered into their next phase at such velocity it transcended logic or reason to become this trio’s final kamikaze joyride. Forty years later, with fall-out long dissipated and a proper mastering job that avoided it at the time, Iron Fist sounds like prime Motörhead with the gloves and seat-belts off. For sheer velocity, it could be fastest of them all, the ferocious title track earning such an accolade in Kerrang! in its tribute spread to Lemmy after he passed away. By 1982, punk had been and gone, the new wave of heavy metal sounded squeaky and cliched next to its grubby godfathers and, while still trouncing all opposition, Motörhead retained that essential ability to laugh at everything, including themselves as they made lightning raids on every sense and orifice with everything cranked to overload. The Iron Fist album; brand new remaster created from the original tapes. Pressed on vinyl as a triple album in a 20 page bookpack. Includes a full live show from Glasgow Apollo released for the first time, plus previously unreleased album demos.

Joni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece Blue, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with Mingus, her collaboration with jazz titan Charles Mingus, and her studio last album for Asylum.

Explore the beginning of that prolific era with THE ASYLUM ALBUMS (1972-1975), the next installment in the Joni Mitchell Archives series. The collection features newly remastered versions of FOR THE ROSES (1972), COURT AND SPARK (1974), the double live album MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). All four were recently remastered by Bernie Grundman.

The cover art for THE ASYLUM ALBUMS (1972-1975) features a previously unseen painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: "Joni's music is so deep and transporting. She comes right from the source. There is no mistaking it.For The Roses, Court And Spark, Miles Of Aisles, and The Hissing Of Summer Lawns.are all classics in my book. I listened to every album as it came out. The musicians she played with were always above my abilities. She had grown from folk to jazz and in between, creating a unique kind of sound that I loved to listen to over and over."

THE ASYLUM ALBUMS (1972-1975)

THE ASYLUM ALBUMS (1972-1975) follows Mitchell's musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, "You Turn Me On, I'm A Radio" and her highest-charting (#7) single "Help Me," plus favorites like "Free Man In Paris," "Raised On Robbery" and "In France They Kiss On Main Street."

FOR THE ROSES

FOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress' National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell's career. It was nominated for multiple GrammyO Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for "Down To You."

MILES OF AISLES

MILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. The Hissing Of Summer Lawns was certified gold as well, peaking at #4 on the album chart and earning a Grammy? Award nomination for Best Female Pop Vocal Performance.

The ASYLUM ALBUMS (1972-1975) [4CD]

Patient Number 9 is Ozzy Osbourne’s 13^th solo studio album and a continuation from 2020’s top 5 release Ordinary Man, once again produced by Andrew Watt. This 13-track project running nearly over an hour long has the most legendary guests ever on an Ozzy Osbourne release. Three tracks alone – “Patient Number 9”, “Degradation Rules”, and “One Of Those Days” – feature Jeff Beck, Eric Clapton, and Tony Iommi (Black Sabbath) respectively, not to mention Josh Homme (Queens of The Stone Age), Mike McCready (Pearl Jam), Chad Smith (Red Hot Chili Peppers), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Zakk Wylde (Ozzy’s longstanding guitarist from the late 80’s) as well as the late Taylor Hawkins.

Ringo Starr's newest EP - cleverly named `EP3' - includes 4 new tracks featuring longtime collaborators Steve Lukather, Linda Perry, Dave Koz, Jose Antonio Rodriguez and Bruce Sugar. `EP3' is filled with Ringo's instantly recognizable vocals, feel-good lyrics and easy-breezy melodies. Available on CD.

The latest full-length from Old 97’s frontman Rhett Miller, ‘The Misfit’, exists in an enchanted dimension all its own. With its elegant blurring of psychedelia, dream-pop & electronic-leaning indie-rock, the Texas-bred singer-songwriter’s 9th solo effort emerged from a charmed collaboration with Hudson Valley neighbor Sam Cohen (Danger Mouse, Kevin Morby). Miller grounds each track with the vulnerable songwriting and unaffected vocal presence he’s brought to the Old 97’s for the last 3 decades.

2022 release. When the writing of Asphalt Meadows began in the early part of the pandemic, Death Cab for Cutie wasn't sure how to make a record. Singer/songwriter Ben Gibbard, bassist Nick Harmer, drummer Jason McGerr, guitarist/keyboardist Dave Depper, and keyboardist/guitarist Zac Rae lived in four different cities. Being in the studio together wasn't an option. Though Gibbard started writing songs at the end of their last tour, he felt like he was hitting a wall after being trapped in his home studio for months. So he hatched a plan to shake things up." A work week is Monday through Friday and there are five members of the band," Gibbard explains. "So on Monday, someone put together a piece of music and shared it. And then the next person took it, with the order decided randomly. On your day, you had complete editorial control." At the end of each week, they finished a rough song mix. Sometimes, songs were transformed entirely, with a key change or altogether different tempo. "After we started, we had a lot of success," Gibbard says. While not all of the songs on Asphalt Meadows came from these sessions, over half of them did. Songs Gibbard presented as demos also went through the process, allowing everyone to figure their parts out before going into the studio with producer John Congleton (St. Vincent, Angel Olsen, Explosions in the Sky).Harmer calls the experience of writing this way incredibly inspiring.

Breaking a decade of omertà, The Mars Volta reawaken from their lengthy hiatus with an eponymous track that radically reshapes their paradigm. Formed by guitarist/composer Omar Rodríguez-López and singer/lyricist Cedric Bixler-Zavala, The Mars Volta rose from the ashes of El Paso punk-rock firebrands At The Drive-In in 2001. On a mission to “honour our roots and honour our dead”, The Mars Volta made music that fused the Latin sounds Rodríguez-López was raised on with the punk and underground noise he and Bixler-Zavala had immersed themselves in for years, and the futuristic visions they were tapping into. The albums that followed were one-of-a-kind masterpieces, their songs of breath-taking complexity also possessing powerful emotional immediacy. After the group fell silent, a legion of devotees (including Kanye West) kept up an insistent drum-beat for their return.

Now – a year after La Realidad De Los Sueños, a luxurious 18-LP box-set compiling their back catalogue, sold out its 5,000 print run in under 24 hours – the duo are back, accompanied this time by founder bassist Eva Gardner, drummer Willy Rodriguez Quiñones and keyboard-player Marcel Rodríguez-López. This song shakes loose some of The Mars Volta’s long-standing shibboleths and the dizzying, abrasive prog stylings of earlier albums absent.

Instead, The Mars Volta pulses with subtle brilliance, Caribbean rhythms underpinning sophisticated, turbulent songcraft. This is The Mars Volta at their most mature, most concise, most focused. Their sound and fury channeled to greatest effect, The Mars Volta finds Rodríguez-López’s subterranean pop melodies driving Bixler-Zavala’s dark sci-fi tales of the occult and malevolent governments. Distilling all the passion, poetry and power at their fingertips, The Mars Volta is the most accessible music the group have ever recorded.

Animals 2018 Remix - The iconic 1977 Pink Floyd album has been remixed for the first time by James Guthrie.  Animals is a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of the band’s earlier work. The album was developed from a collection of unrelated songs into a concept which describes the apparent social and moral decay of society, likening the human condition to that of animals. Taking inspiration from George Orwell’s Animal Farm, the album depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it’s been a long time since 1977, the narrative of the album still resonates today as our social and economic situation mirrors that of the time.

Flogging Molly's seventh album Anthem was engineered by Steve Albini who worked on their first two albums as well as Nirvana’s In Utero.  Singer/guitarist Dave King says “With this record we went back to the basics in a way that I don’t think we could have done if we hadn’t been playing together for over 20 years. I think going back to Chicago and doing this record with Steve made the experience so fun and I really believe you can hear that on the record.”  The first 2 singles released off "Anthem" are “These Times Have Got Me Drinking,” and “The Croppy Boy ‘98.”

Limited blue colored vinyl LP pressing. 50th Anniversary edition. Rocky Mountain High is the sixth studio album by singer-songwriter John Denver, originally in September 1972. It was his first US Top 10 album, propelled by the single "Rocky Mountain High".

Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas, " says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians...). When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.

Born Aaron Livingston, GRAMMY Award winning Son Little unleashes his album Like Neptune never sounding stronger or more confident than now, showcasing his original vision of r&b, informed by his love for hip-hop imbued with tinges of funk, pop, and psychedelia. While Little’s collaborations with The Roots and RJD2 had already helped him make a name for himself by that point in his adopted hometown of Philadelphia, critics on both sides of the pond were quick to recognize the unique power of Little’s solo recordings, which stripped the past for parts that could be reconstituted into something wholly new and original. NPR hailed Little’s “impeccably crafted songs” as “honest and unpretentious,” while The Independent proclaimed him “a formidable talent,” and Vice declared that he was “dissolving the barrier between R&B and rock ‘n’ roll one tearjerker at a time.”

Delta Spirit has been making music for nearly 17 years and with five albums under their belt they are set to release their follow up record to 2020’s What Is There. One Is One was recorded in southern Vermont and mixed in Texas by Matt Pence (Jason Isbell, Nikki Lane, Paul Cauthen). The album has a distinctly anthemic quality with songs like “Villians” “One Is One” and “What’s Done is Done” inducing goosebumps upon the first listen. Other tracks like “Lottery”, “Ghost of Caddo” and “Thoughts on Seneca” are more quiet in sound and song structure but deliver heavy lyrical messages that capture the listeners attention. One Is One is made for the headphones and the live concert experience.

To coincide with the band celebrating their 50th anniversary this year, Roxy Music’s career-encompassing collection from 2001 is available for the first time on vinyl. Containing all of their classic singles including “More Than This,” “Jealous Guy,” “Love Is the Drug,” “Virginia Plain,” and classic album cuts, it’s a definitive testament to one of the most influential and daring artist catalogs of all time. This beautifully presented 2 LP set includes enhanced artwork and full song lyrics.

The Player's Club, a division of Mascot Label Group, is proud to announce the debut solo album from Toto co-founder, David Paich, entitled, 'Forgotten Toys'- available everywhere August 19th, 2022. If you've listened to music in the last 50 years, you were most likely hearing David Paich. Boz Scaggs, Mötley Crüe, Michael Jackson, Steely Dan, Miles Davis, Dolly Parton, Ray Charles, Barbra Streisand, Elton John, and countless iconic artists wrote some of their best work alongside David Paich. As a six-time Grammyr Award Winner, Paich has contributed to over 2,000 albums, shaping the sound of popular music as a songwriter, performer, producer, arranger, vocalist and primary composer of the seminal band TOTO. With TOTO, Paich has released 17 albums, sold over 40 million records and garnered over 3 billion streams worldwide. Paich wrote or co-wrote TOTO's biggest hits, "Hold the Line", "Rosanna" and "Africa". "Forgotten Toys is made up of odds and ends of tunes that I've carried in my head for years," David states. "It seemed like it was time to put something together. Some of these really are forgotten toys. It had been awhile since I've been in my studio and I found myself listening to these little pieces continuously. For as much as it may be a "solo" album, Paich couldn't help but invite a few friends to play. Joined by Joseph Williams as co-producer and sometimes co-vocalist, he welcomed everyone from Toto's Steve Lukather to Brian Eno, Michael McDonald, Ray Parker Jr., Don Felder, and Steve Jordan of The Rolling Stones. For David, music is much more than the soundtrack of his life. As one of it's architects, it is his life.

Chaos in Bloom, arriving August 12th, 2022 via Warner Records. Marking the first album of their career to be produced by frontman John Rzeznik, the record finds the band at the top of their game and continuing to constantly evolve just as they have for nearly four decades together. Consisting of 10 tracks, Chaos in Bloom is an album of biting sarcasm, stadium-ready choruses, and the type of spear-sharp songwriting that’s led them to becoming one of the most influential alternative rock groups of all time.

While Chaos in Bloom isn’t necessarily an album borne out by the pandemic, many of the tracks reflect on all of the things in daily life that became amplified while everyone was isolated from one another and sequestered at home. “Chaos in Bloom reminded us how special this whole thing is and to cherish the relationships that we have together,” says Rzeznik about the album. “Where we’ve been, and where we’re going.” Oscillating from personal reflections on the state of the world to societal commentaries, the songs on the album grapple with observations about our dystopian modernity while searching for optimism and pushing for a more empathetic world. “I’ve been trying to have a relationship with the bigger picture,” adds bassist and songwriter Robby Takac, “and refining happiness and what it means from that perspective.”

To record the album, Rzeznik and Takac retreated to Dreamland Studios just outside Woodstock, New York during the pandemic. An environment as remote as it is rich with historic rock music roots, the location proved to be the perfect setting for clearing the noise and creating such a record, which carries a true live quality that the band captured by blending vintage instruments and gear with new-age recording processes and techniques.

The Afghan Whigs release their first studio album in five years, How Do You Burn?. How Do You Burn?, the ninth studio album from The Afghan Whigs, finds the band in peak form, making the most vaulting and thrilling music of their lives. The album is virile, ready-for-action, and finds frontman Greg Dulli as swaggering, enigmatic and darkly charismatic as ever, and singing up a storm. The album reaches corners of sound that, twenty-six years after the band's inception, find them at an apex. Referencing Warren Zevon, Prince, and Zeppelin all while plugging in to the soul and R&B influences that have always set them apart, The Afghan Whigs are at a precipice of greatness. Says Dulli, “I’m beginning to see there are a million places we can go. I feel virile, ready for action, and I want to keep stalking greatness.”

R.E.M. - "Chronic Town" - 40th Anniversary Edition of the debut EP from R.E.M. featuring "Gardening At Night," "Wolves, Lower," and more. Available on a double-sided picture disc featuring the album cover's iconic gargoyle and 1982 image of the band. Indie Exclusive.

Bleed Out is all pent-up energy and explosion, executed by a bunch of friends who were mainly happy to be in a room together making loud noises. In January 2021, just weeks after Darnielle had started writing, his bandmates Peter Hughes, Matt Douglas, and Jon Wurster joined him at a studio in the woods near his home in Chapel Hill. Everything was finished inside a week.

Emerson, Lake & Palmer - Singles - 12 ELP 7" Singles A career-spanning collection, 1971-1992, this box set of fan favorite singles have all been remastered by world-renowned ELP mastering engineer Andy Pearce. Includes "Lucky Man," "From The Beginning," "Fanfare For The Common Man," "C'est La Vie," "Jerusalem" and more. 2-part, deluxe rigid card box with artwork printed on holographic foil. Original international single picture sleeve and label artwork, reproduced for the first time since original release. Alongside each single artwork is a newly imagined companion 7" art card. Box also contains an extended booklet with detailed notes, foreword from Carl Palmer and rare band photos.

Undisputed masters of murderous riffs, pugnacious grooves and ferocious hooks since 1991, Machine Head are long established as one of the most influential and incendiary bands in the metal world. From genre-expanding triumphs like 1994's debut, Burn My Eyes, 1999's The Burning Red to the planet-conquering might of 2007's The Blackening, to the new life injected in 2014's Bloodstone and Diamonds, Machine Head have carved a singular path across the globe for over three decades now with no end in sight. Whether it be marathon 3 hour live performances, or millions of albums sold worldwide, and accolades both big and small, there aren't too many "distractions" clouding up the vision of Guitarist/Vocalist/Founder Robb Flynn these days. In 2022, Machine Head are back with their most crushing and complete album yet. ØF KINGDØM AND CRØWN is an hour-long conceptual monolith, rich in colour and dynamics but hell-bent on destruction. Set in a futuristic wasteland where the sky is always crimson red, ØF KINGDØM AND CRØWN tells the tale of two characters, both faced with incalculable trauma, whose stories become bloodily entwined as this deep, dark record progresses. "The album and concept was loosely inspired by the Japanese anime series Attack On Titan," says Robb, "in the sense that in that series, there is no "good" or "bad" guy... both sides believe they're doing the right thing, but both are committing atrocities and evil." Album opener, "SLAUGHTER THE MARTYR," sets the tone for not only the record, but the aural and psychological exploration the listener is about to embark on. From the first dissonant note, it's certain this is not only fresh canvas spelled out with lead vocalist Robb Flynn and bassist Jared MacEachern's soaring vocal harmonies, but it's intent is as furious as anything the band has ever come up with. This track also begins the journey of our protagonists. Further exploration of the damaged psyche blasts forth on "CHØKE ØN THE ASHES ØF YØUR HATE," a searing back and forth dose of Thrash Metal that could only come from the roots of the Bay Area. Unrelenting in it's attack, the breakneck pace only solidifies this as one of many standouts on ØF KINGDØM AND CRØWN. From the adrenaline rush of exorcising their inner demons to the innate feeling of solitude and regret comes "UNHALLØWED." A dramatic introspective of questioning one's motives and the fallout when the debts our expended emotions come to collect. Hopeless, lost, and isolated, protagonist #2 begins the transformation from victim to victimizer over the melodic chaos courtesy of guitarist Vogg Kieltyka. Radicalized, paranoid, and armed with a dead-end stare, the mental onslaught ignites with the song, "KILL THY ENEMIES." The whiplash inducing thoughts pair up nicely with some of the thickest grooves on the album. The album ends with arguably the finest song Machine Head have ever written: "ARRØWS IN WØRDS FRØM THE SKY", the grandiose but emotionally visceral climax to the finest and most ferocious album of the band's 30 year career. A perennially vital force in heavy music, Machine Head have continued their exhilarating evolution, while never losing the furious spirit of their old school, underground roots.

As you can probably glean from the title, Bret McKenzie-whom you know from such modern musical treasures as comedy duo Flight of the Conchords, the Muppets movie reboots and other ace kid-film soundtracks, Lord of the Rings fan blogs, guest songs for The Simpsons, cycling around the streets in his native New Zealand, and more- has a new solo record coming out filled with songs that ARE NOT COMEDY SONGS! There. Doesn't that feel better? Sometimes it helps just to get it out in the open. So, yeah, Bret's a ridiculously funny dude, and you might even call him one of the best comedy songwriters in the biz. (In Bret's own words, there are fewer than a dozen people in the world writing comedy songs today, but who's counting?) He's had smash hits, he's won major awards, he's the better-dressed part of his duo... he's got a good thing going! So, what gives with this whole "songs without jokes" solo stuff, man? The Conchords landed McKenzie and Jemaine Clement a hit HBO TV show, a BBC Radio series, chart-topping records, world tours, a Best Comedy Album Grammy, and a 2018 "reunion" special. McKenzie transitioned to Hollywood, writing songs for 2011's The Muppets (winning a Best Original Song Oscar for "Man or Muppet"), 2014's Muppets Most Wanted, and films in the Pirates! And Dora canons. While he enjoyed and excelled at the work, he wondered where his songs might go if set free of all that plot-bound specificity. And so, while in Los Angeles a few years back, recording movie music with a crack assemblage of legendary session musicians, McKenzie started playing around with a tune or two he had written simply as songs-songs without any external direction, songs without plot-pushing concerns, songs without jokes. The results reveal McKenzie's talents on multiple instruments (he's a veteran of several non-comedy bands in New Zealand back in the day, most notably the reggae-based fusion group The Black Seeds), and his affinity for wry, literate artists like Harry Nilsson, Steely Dan, Randy Newman and Dire Straits. Written mostly during the quieter moments of 2019, with his life split between work in Los Angeles and his family in Wellington, the songs of Songs focus on themes of escape, the perpetual search for peace, and navigating a life being pulled in multiple directions at once. There are also simple meditations on driving through a city, and the weather. McKenzie was inspired by the path icons like Newman and Nilsson had paved, where a silly or playful number could be sandwiched directly between a song about heartbreak or an earnest redemption and a scathing satire or character commentary. He threw a bit of everything into the mix, recording ideas on his phone at home in New Zealand after the kids had gone to sleep. Back in LA, he fine-tuned the songs with his longtime producer and collaborator, Mickey Petralia, and longtime film collaborator Chris Caswell created charts for that same ensemble of session players with whom they'd recorded so many pieces for film. The majority of songs were then recorded at United Studio in Los Angeles in just a few takes. While the album may be free of traditional punch lines, it doesn't lack a sense of humor. It showcases a new stage of McKenzie's career, to be sure, but one that isn't so far removed from his past work and true artistic self. Like Jim Henson before him, who made a career of blending the silly with the sincere and the playful with the profound, McKenzie also aims to connect rainbows to the ridiculous.

From the first-ever authorized and in-depth archive in Blondie’s history, this 3 CD edition features the very best of the outtakes and rarities from the Super Deluxe Collector’s Edition, remastered from the original analog tapes and cut at Abbey Road Studios. Included is a 164-page book featuring an exhaustive look at Blondie’s international notoriety via picture sleeves and regional pressings.

Collective Soul's long-awaited 2022 album release VIBRATING sends the band's artistic spirit into the next stratosphere. All ten songs that comprise VIBRATING positively pulsate with the boundless energy that has been Collective Soul's aural calling card for going on three full decades. From the propulsively gnarly kiss-off of "Cut the Cord" to the reflective midtempo jangle of "Take" to the heart-wrenching reality check of "Rule No. 1" - replete with a soaring string section, no less! - to the choir-backed emotional crossroads of "Where Do I Go," VIBRATING contains 42 minutes of irrefutable sonic evidence of a band wholly uninterested in sitting still. "I think we're on a roll," observes Ed Roland, Collective Soul's frontman and chief songwriter. "We're not afraid to stretch the boundaries - but we do know how to stay in our lane when we need to. Sometimes, though, we just have to go faster." The many good vibrations embedded within the deep-rooted grooves of VIBRATING await your endless enjoyment. -Mike Mettler, official Soulographer

Steve Earle has been creating intimate and personal music for well over four decades now. His songwriting has wound itself along a path from Texas to Tennessee and his education came in the form of learning from the best. 2009’s Grammy-nominated record, TOWNES, was a tribute to his dear friend and mentor, Townes Van Zandt. Ten years later Earle released, GUY. An album concentrated on paying homage to the late Guy Clark and the indelible friendship that they had formed in stories told through song. 2022 welcomes the release of JERRY JEFF. A 10-song collection of songs written by the gypsy songman, Jerry Jeff Walker. Featuring hits like, “Mr. Bojangles” and “Gettin’ By”, Earle & The Dukes honor the late Texan by amplifying the concept and sound of each song with a full-band recording. 

Physical Thrills, Silversun Pickups’ sixth studio album and the follow-up to 2019’s Widow’s Weeds, is produced by Butch Vig (Nirvana, Garbage, Smashing Pumpkins, Green Day, Foo Fighters) and mixed by Billy Bush. Physical Thrills spans through an eclectic mix of distorted synths, pop-tinged danceable tunes, pared-down ballads, and a collection of “dream shanties” melodies that are all interconnected with each other into a cohesive body of work. Features “Scared Together” and “Alone on a Hill.”

Megadeth’s explosive new album features twelve new songs from the titans of thrash metal! Produced by Dave Mustaine and Chris Rakestraw, the follow-up to the critically acclaimed, Grammy® award-winning album Dystopia will melt Megadeth fans’ minds worldwide with songs like “We’ll Be Back,” the new radio hit “Soldier On!” and “Night Stalkers” – the latter of which features icon Ice-T.

"Songs For While I'm Away" is the story of how a young black boy from working class 1950's Dublin became Ireland's greatest rock star. As lead singer of Thin Lizzy, Phil Lynott was a songwriter, a poet, a dreamer, and a wild man. The film gets to the heart of Philip: the father, the husband, the friend, the son, the rock icon, the poet, and the dreamer. Also included is Thin Lizzy's famed October 1978 concert at the Sydney Opera House with remixed audio and cleaned-up picture. CD/DVD/Blu-ray.

Neil Young + Promise Of The Real announce a new live album, Noise & Flowers, that captures the group in all their glory on their 2019 European tour. The release will be accompanied by a similarly titled concert film that’s included in the album’s 2xLP+CD Deluxe Edition. 

Noise & Flowers documents a 9-date tour that began just two weeks after Young’s lifetime friend and manager of more than 50 years, Elliot Roberts, passed away at age 76. Performing alongside a photograph of Roberts taped to his road case, Young approached each show as a celebratory memorial service to honor his late friend. It’s a trek the legendary singer/songwriter describes as “wondrous.”

“Playing in his memory [made it] one of the most special tours ever,” Young says in the album’s liner notes. “We hit the road and took his great spirit with us into every song. This music belongs to no one. It’s in the air. Every note was played for music’s great friend, Elliot.” In paying tribute to the manager who guided Young’s career for over a half-century, Noise & Flowers explores all corners of his vast discography.

It balances all-timer anthems (“Mr. Soul,” “Helpless,” “Rockin’ in the Free World”) with rarely aired ‘70s deep cuts (“Field of Opportunity,” “On the Beach”) and ’90s gems (“From Hank to Hendrix,” “Throw Your Hatred Down”). His frequent backing band since 2015, Promise of the Real effectively bridges the extremes in Young’s sound, infusing his raging rockers and country serenades with their casual brilliance and telepathic intuition.

The eponymous solo albums written, performed, and produced by Paul McCartney from 1970, 1980, and 2020. Includes 3 CDs with 3 limited edition photo prints and an introduction from Paul housed in a beautiful slipcase box.

After three studio albums and over a decade deep into the music game, THE INTERRUPTERS deliver their new album, In The Wild. This 14-track opus is the real deal; it’s a story of survival, a story of resilience, by a band being bold and rejecting the easy impulses of simply repeating what’s worked before. Together during lockdown, Aimee Interrupter, partner and guitarist Kevin Bivona, and his younger twin brothers, Jesse (drums) and Justin (bass), decided to put idle hands to work. After building a home studio in their garage together, Kevin stepped up and took charge of production duties to become “the accountable one” this time around. The record took shape in an unforced and organic fashion, and the recording process was evidently a fun one, which is reflected in the sound of the album, gliding across a spectrum of breathless punk rock, doo-wop, gospel, dancehall, and the band’s customary nods to the lineage of two-tone. It’s further evidenced in the uplifting spirit and the glittering rollcall of guests (Tim Armstrong, Rhoda Dakar, Hepcat, The Skints) involved too. Thanks to the cocoon of the intimate environment they’d built and relaxed working practices, the results made for the most personal Interrupters album to date, as well as being the one all four feel most connected to.

The follow-up to their 2018 breakthrough album, Fight The Good Fight, which spawned multiple singles including “She’s Kerosene”, with over 50 Million streams to date. This smash-hit sent the band to the top of the radio charts and across the globe, playing live with everyone from Dropkick Murphys to Green Day. It was Spring 2020 as they were headed out on an 8-week Hella Mega stadium tour in support of Green Day, Weezer, and Fall Out Boy, when like the rest of the world, the band’s plans went kaput. The forced time at home gave them a period of much-needed rest, followed by an injection of creative energy that led the band to write over 80 songs, curate a live album and documentary film about their lives and their first trip to Japan. THE INTERRUPTERS will be back on the road starting this Spring, co- heading with Flogging Molly and touring through the remainder of 2022 and beyond.

3 180 Gram BLACK vinyl discs, in tri-fold gatefold jacket, with 12”x 36” 2 sided poster.

Fear Inoculum is the Grammy award winning masterpiece from Tool. Following the release of the limited edition single pressing ultra deluxe 5 disc vinyl box set, this critically acclaimed album is available now as a 3 disc 180 gram set, that features new artwork in a triple gatefold jacket and an exclusive poster.

Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.

50th-anniversary reissue of Rory Gallagher's 1971 sophomore solo album, Deuce. The 3 LP set includes a new mix of the original album, plus a cutdown of previously unreleased alternate takes and 7 session tracks from Germany's Radio Bremen. (Also available in a Deluxe 4-CD version, and a 2 CD version.)

Released in November 1971, just six months after his eponymous solo debut, Rory Gallagher’s second album, Deuce, was the summation of all that he’d promised in the wake of Taste’s collapse. Rory wanted to capture the feeling of a live performance, so he would look to record immediately after live concerts while keeping production to a minimum.

He chose Tangerine Studios, a small reggae studio, in Dalston in East London, due it’s history with legendary producer Joe Meek. With Gerry McAvoy on bass guitar and Wilgar Campbell on drums, the album was engineered by Robin Sylvester and produced by Rory. Deuce features many Rory highlights, from the blistering Crest Of A Wave to the Celtic-infused I’m Not Awake Yet.


“There was one day when I was playing along with the Deuce album which
was a complete turning point for me as a guitar player”
– Johnny Marr

50th-anniversary reissue of Rory Gallagher's 1971 sophomore solo album, Deuce. The 2 CD set includes a new mix of the original album, plus a cutdown of previously unreleased alternate takes and 7 session tracks from Germany's Radio Bremen. (Also available in Deluxe 4-CD version, and a 3LP version.)

Released in November 1971, just six months after his eponymous solo debut, Rory Gallagher’s second album, Deuce, was the summation of all that he’d promised in the wake of Taste’s collapse. Rory wanted to capture the feeling of a live performance, so he would look to record immediately after live concerts while keeping production to a minimum.

He chose Tangerine Studios, a small reggae studio, in Dalston in East London, due it’s history with legendary producer Joe Meek. With Gerry McAvoy on bass guitar and Wilgar Campbell on drums, the album was engineered by Robin Sylvester and produced by Rory. Deuce features many Rory highlights, from the blistering Crest Of A Wave to the Celtic-infused I’m Not Awake Yet.


“There was one day when I was playing along with the Deuce album which
was a complete turning point for me as a guitar player”
– Johnny Marr